Rococo And Neoclassicism Essays On Love
Rococo And Neoclassical Style Essay
The Rococo art style in the 18th was a decorative style of art that originated in the hotels and salons of Paris. S and C curves, shells, wings, scrolls, plant tendril forms, and cartouches meaning elaborate frame, all distinguished Rococo. However, the Neoclassicism art style in the late 18th century portrayed the middle class society and unlike the composition of Rococo painted ceilings, its composition is simpler with limited figures. The Rococo and Neoclassical styles of art were both influenced by European life, reflected Europe’s culture, and had different political and social themes.
The Industrial Revolution that took place in the 1800’s was a radical change that began in England and soon enough had spread through Europe and America. As a result, social, political, and economical transformations took place and art shifted in style and subject themes flourished. The Philosophes, which were philosophers who dominated the French Enlightment and visited salons, contributed to the development of art criticism. The Rococo artistic style reflects the merriness that the wealthy people decorated their homes with, while the Neoclassical art style focused more on the middle class people and was distinguished by Western art and culture of Ancient Greece or Rome. The culture helped shape the Neoclassicism art style that represented the growth of a civilized society. The Rococo art style in the 18th century depicted domestic life in the upper class, elegantly well dress aristocrats, and mythological themes. Neoclassicism on the other hand saw the rise of Greek and Roman classical themes as more of their culture was revealed. The Neoclassicism art style was also incorporated in paintings that had to do with the Revolution for instance, the painting The Lictors Returning to Brutus the Bodies of His Son.
The Rococo art style was portrayed in Jean Antoine Watteau artworks. Watteau was born on October 10, 1684 and died on July 18, 1721. Some of Watteau subjects for art were landscapes, scenery, and figures. Watteau was best known for his paintings of fetes gallants’, which was an amorous celebration or party in a garden setting As an admirer of Ruben’s art, Watteau style of art was reflected in the sensuality of Rubens brushwork and color the sensuality of his subject themes In The Signboard of Gersaint, which was painted around 1721. A characteristic embedded in in Watteau artwork is light, which...
Loading: Checking Spelling0%
Neo-Classical Architecture Essay512 words - 2 pages During the 1700s, architects began to turn away from elaborate Baroque and Rococo styles. The classical architecture of ancient Greece and Rome became a model for restrained Neoclassical, or Neo-classical, styles. A reinterpretation of the principles of Classical architecture in the late 18th and the early 19th century, and...
History and Development of Baroque and Rococo and Their Influence Today3587 words - 14 pages Introduction: The Baroque era was the building stone for the neo-classical and the rococo period. That made it to a developing style after reformations occurred and views changed. The Baroque style, which was an emphasized movement and always part of a renaissance, developed during the 16th century in Rome, Italy, and travelled later to France. Nevertheless, the Italian Baroque and the French Baroque are not comparable. Baroque is nowadays...
Jacques Louis David2126 words - 9 pages David was the virtual art dictator of France for a generation. Extending beyond painting, his influence determined the course of fashion, furniture design, and interior decoration and was reflected in the development of moral philosophy. His art was a sudden and decisive break with tradition, and from this break "modern art" is dated. David studied with Vien, and after winning the Prix de Rome (which had been refused him four times,...
Jean-Honore Fragonard: Analysis of Diana at Rest and The Visti to the Nursery980 words - 4 pages French Rococo painter, Jean-Honore Fragonard, is one of the most noted artists of the eighteenth century. Many aspects played a significant role in the influence of the works that Fragonard produced, including the aristocracy, his patrons, life experience, and preceding artists to name a few. While many Rococo artists...
The Art of William Hogarth1443 words - 6 pages William Hogarth , an English painter whose use of satire condemned the traditions and daily routine of the aristocracy , deriving his muse as a sequential artist through his beloved father Richard Hogarth whose occupation as a Latin school teacher(this era is beginning to abandon the neoclassical representation of figures more emphasizing aspects of dimension or symmetry, displaying symbolic elements of the era but not reestablishing the...
The Evolution of British Poetry910 words - 4 pages The Evolution of British Poetry Throughout the literary history of the Renaissance, a gradual but dramatic change in the poetic style of the time becomes apparent. From one contribution to another, the rebellion between the poetic styles is evident. Early Elizabethan and Jacobean poetry demonstrates the love that mankind shares and the universal truths that the people of that time held so dear. On through the...
An Age of Reason, An Age of Passion1128 words - 5 pages An Age of Reason, An Age of Passion The period following the Renaissance focused the human attention toward the beauty of nature. It was man’s turn to be part of the nature and not the other way around. The term picturesque—or “compared to a picture” as Michael Woods defines it — defines new characteristics of the art from this period. This period, “An Age of Reason, An Age of Passion,” had a dual nature—rational, responsive to reason,...
This essay is about Jacques-Louis David's "The Death of Socrates".1065 words - 4 pages The death of Socrates is a historic moment that will forever be remembered thanks to Jacques-Louis David's portrayal of this event in The Death of Socrates. This famous French artist created this work of art in 1787 and it now can be seen decorating the halls...
A Comparison of Jacques-Lois David and Joseph Goebbels967 words - 4 pages “The essence of propaganda consists in winning people over to an idea so sincerely, so vitally, that in the end they succumb to it utterly and can never again escape from it” (Goebbels). Both Jacques-Lois David and Joseph Goebbels were aspiring men who rose above the standards that were set for them and utilized their own individual talent in order to sway people’s opinions to match their own. They both possessed extraordinary talent and ideas...
Architecture Set In Motion1553 words - 6 pages 1. Bouffrand: Salon de la Princess, hotel de Soubise, Paris, France, begun 1730’s Salon de la Princess, is a many sided cylindrical interior room and is part of the Rococo style that incorporates minimal architectural features and light airy decor, that develops into a profession of interior design. Rococo is the revolt against complicated Baroque that decorated the interior of Versailles, in revolt against the...
Architecture Set In Motion1631 words - 7 pages 1. Bouffrand: Salon de la Princess, hotel de Soubise, Paris, France, begun 1730's Salon de la Princess, is a many sided cylindrical interior room and is part of the Rococo style that incorporates minimal architectural features and light airy decor, that develops into a profession of interior design. Rococo is the revolt against complicated Baroque that decorated the interior of Versailles, in revolt against the palace and after the...
Home • Sitemap • About
Neoclassical and Romantic Painting
|landscape||Barbizon school, Turner, Constable|
The ages of Neoclassicism and Romanticism both span approximately the late eighteenth and nineteenth centuries.1,2 (Within this period, Neoclassical artistic activity peaked first, then Romantic.) Both movements flourished across Western Europe (especially in the north) and the United States, and to a lesser extent in Eastern Europe.
Following the extravagance of Baroque and Rococo, a general longing for the restraint of classicism emerged, fuelling the rise of the Neoclassical movement. Another factor was the excavation of several major classical sites (including Pompeii and Athens), which expanded knowledge of ancient art and provided an enormous burst of inspiration.3,15 (The "Pompeian styles" of wall painting, for instance, were adopted for Neoclassical interior decoration.H913) The heart of Neoclassical painting was France, where the legacy of Poussin continued to resonate.19
Meanwhile, many artists of this period sought to break new ground in the expression of emotion, both subtle and stormy (see Western Aesthetics). This was the Romantic movement, which embraced a number of distinctive themes, including historical nostalgia, supernatural elements, social injustices, and nature. Indeed, the Romantic adoration of nature caused landscape painting to flourish like never before. (Landscape painting can be defined as "painting in which the environment is the primary subject; figures are absent or secondary".)
Painterly vs. Linear Style
Neoclassical painting usually features a linear style (in which the outlines of objects are sharply defined, thanks to carefully controlled brushstrokes), whereas Romantic painters tended to favour a painterly style (in which freedom of colour takes precedence over sharply-defined forms; brushstrokes are less restrained, resulting in somewhat "messy" outlines). The painterly style often has visible brushstrokes, while the linear style features smooth areas of colour, in which no brushstrokes can be seen.
The world of painting was revolutionized by industrialization. The mixing of paint, a laborious procedure when performed by hand (such that it was often delegated to apprentices), was increasingly automated. New colours became available as artificial pigments were developed, and the packaging of paint in metal tubes finally made it convenient for artists to leave the studio and paint on site. (Up until the invention of the paint tube, artists usually only prepared sketches on site, returning to the studio for the actual painting.)E78,16
The Neoclassical/Romantic age also witnessed the founding of public museums throughout the West. For the first time in history, large collections of artistic (and historical) objects were made available for everyone to see. The very first public museum was the Louvre, which opened under the reign of Napoleon.C100
Neoclassicism appealed to artists supportive of the French Revolution, given the democratic legacy of ancient Greece and Rome. Such artists included Jacques-Louis David, foremost of all Neoclassical painters. David’s first great work was Oath of the Horatii, which depicts three legendary warriors pledging allegiance to the Roman Republic. Later primary works include the portrayal of a revolutionary martyr in The Death of Marat (his masterpiece) and Napoleon Crossing the Alps, one of many works David produced as the emperor’s official painter.2,6,16
Romantic Paintingca. 1750-1900
Romantic painting can be divided into two main types: figure painting (in which figures are the primary subject) and landscape painting (in which the environment is the primary subject). The former type was led by France, the latter by England. Each nation produced two outstanding Romantic masters.
The first French master was Théodore Géricault, whose masterpiece The Raft of the Medusa portrays the victims of a contemporary shipwreck. The people on this raft were French emigrants en route to West Africa, whose ship foundered at sea. The lifeboats were seized by the crew, while the colonists (who numbered over a hundred) were abandoned on a makeshift raft with little water or food; only fifteen survived the wait for a rescue ship.E76
Eugène Delacroix, considered the greatest French Romantic painter, achieved brilliant visual effects using small, adjacent strokes of contrasting colour. (While a number of Romantic painters used this technique, which was eventually adopted and extended by the impressionists, Delacroix was the most influential.) His masterpiece, Liberty Leading the People, depicts the French Revolution in all its heroic glory and grisly destruction.E78,4,7
Romantic landscape painting in France was led by the Barbizon school, a circle of artists who held meetings in the village of Barbizon.9 The two most famous members of this school may be Théodore Rousseau and Camille Corot.
Joseph Mallord William Turner, whose works typically feature a dense, dreamy atmosphere, is often considered England's greatest painter. As his career progressed, Turner increasingly sacrificed physical realism for rich textures of mist and light, thus foreshadowing the rise of modern art.17
The other leading English Romantic artist was John Constable, the foremost painter of idyllic rural England, who focused especially on his native countryside of Suffolk (on England's east coast).19 The bright, clear atmosphere and straightforward realism of Constable's work contrasts sharply with the dense atmosphere and distortion of Turner. The Hay-wain is often considered Constable's masterpiece.
1 - "Romanticism", Columbia Encyclopedia. Accessed May 2009.
2 - "Classicism", Columbia Encyclopedia. Accessed May 2009.
3 - "Neoclassical Art and Architecture", Encarta. Accessed May 2009.
4 - "Romanticism", Encyclopedia Britannica. Accessed May 2009.
5 - "Painting: Neoclassical Painting", Encarta. Accessed May 2009.
6 - "David, Jacques-Louis", Columbia Encyclopedia. Accessed May 2009.
7 - "Eugène Delacroix", Encarta. Accessed May 2009.
8 - "Painting: Romantic Painting", Encarta. Accessed May 2009.
10 - "Barbizon School", Columbia Encyclopedia. Accessed May 2009.
11 - "Joseph Mallord William Turner", Encarta. Accessed May 2009.
12 - "John Constable (British artist)", Encyclopedia Britannica. Accessed May 2009.
13 - "John Constable", Encarta. Accessed May 2009.
14 - "Plein-air painting", Encyclopedia Britannica. Accessed May 2009.
15 - "Western Architecture: Classicism, 1750-1830", Encyclopedia Britannica. Accessed June 2009.
16 - "Western Painting", Encyclopedia Britannica. Accessed July 2009.
17 - "Turner, Joseph Mallord William", Columbia Encyclopedia. Accessed July 2009.
18 - "Caspar David Friedrich", Encyclopedia Britannica. Accessed July 2009.
19 - "Painting", World Book Encyclopedia. Accessed November 2009.